![Performance Philosophy Reading Group CPR — Center for Performance Research This monthly reading group series, in conjunction with the international research network, Performance Philosophy (PP), will […]](http://www.cprnyc.org/wp-content/uploads/2018/02/434A5376-600x450.jpg "Performance Philosophy Reading Group")
Performance Philosophy Reading Group
CPR — Center for Performance Research
This monthly reading group series, in conjunction with the international research network, Performance Philosophy (PP), will be co-hosted by select CPR Artists-In-Residence. We will read exhilarating and thought-provoking texts from PP’s publications as a springboard into generative discussion and thought-experimentation. In this series of reading groups, we will engage with texts in whatever way seems most productive.
Performance Philosophy (PP) is a relatively new field of exploration that seeks to rethink what precisely thinking is. To do this, the members of PP draw from methodologies in philosophy, performance studies, theatre studies, dance, music, the visual arts, practice-as-research, and other cognate disciplines to play around with, deconstruct, and rearrange the centuries-old hierarchy of academic thought.
Registration required in advance.
Email programs@cprnyc.org for more information.
Performance Philosophy Reading Group, co-hosted by Antonio Ramos, 2017 Andrew W. Mellon Foundation AiR
Learn more about Performance Philosophy.
Performance Philosophy Reading Group February 2019. Photo by Asya Gorovits
Wednesday July 24, 2019 | 6:30pm
Co-hosted by 2019 CPR Artist-in-Residence, Jess Pretty
Reading: Genevieve Hyacinthe (2019).‘The Shape of Humidity: Performing Black Atlantic Theory Making’ Performance Philosophy Vol 4. (2) 434-451.
Wednesday June 26, 2019 | 6:30pm
Reading: Teoma Naccarato and John MacCallum (2019). ‘Collaboration as Differentiation: Rethinking interaction intra-actively‘ Performance Philosophy Vol 4. (2) 410-433.
Co-hosted by 2019 CPR Artist-in-Residence, Leslie Cuyjet
Reading: Jeanne Tiehen (2018). ‘Climate Change and the Inescapable Present.’ Performance Philosophy Vol. 4 (1) 123-138.
Reading: Cull, Laura (2012). ‘Immanent Imitations, Animal Affects: From Hijikata Tatsumi to Marcus Coates’ Theatres of Immanence: Deleuze and the Ethics of Performance (Palgrave Macmillan: Basingstoke and New York), pp. 105-144.
Co-hosted by 2017 CPR Andrew W. Mellon Foundation Artist-in-Residence Antonio Ramos
Reading: Blades, Hetty (2016). ‘Work(s) and (Non)Production in Contemporary Movement Practices’, Performance Philosophy Journal, Vol 2.1, 35-54.
Co-hosted by CPR Andrew W. Mellon Foundation Artist-in-Residence Abigail Levine
Reading: Breemen, Alice (2017). ‘Performance Philosophy: audience participation and responsibility,’ Performance Philosophy. Vol 2. (2) 299-309.
Co-hosted by CPR Andrew W. Mellon Foundation Artist-in-Residence Kyle Marshall
Reading: Mullis, Eric (2016). ‘Dance, Philosophy, and Somaesthetics‘, Performance Philosophy. Vol 2. (1) 60-71.
Monday April 16, 2018 | 7:30pm
Co-hosted by 2017 Technical Residency Artist-in-Residence Tatyana Tenenbaum
Reading: Cull, Laura (2014). ‘Performance Philosophy: Staging a New Field’, Encounters in Performance Philosophy Eds. Laura Cull and Alice Lagaay, Palgrave Macmillan: New York & London, pp. 15-38
Lagaay, Alice and Alice Koubova (2014). ‘Performing the Impossible in Philosophy’, Encounters in Performance Philosophy, Eds. Laura Cull and Alice Lagaay, Palgrave Macmillan: New York & London, pp. 39-62.
Reading: Cvejic, Bojana. “From Odd Encounters to a Prospective Confluence: Dance-Philosophy.” Performance Philosophy Journal, Vol 1 (2015): 7-23.
