Photo by Fabian Hammerl.
The Technical Residency is closed to the public.
CPR welcomes Ogemdi Ude for a Fall 2025 Technical Residency, providing one uninterrupted week in CPR’s theater and access to a robust a/v inventory to play, experiment, and create. The residency will support their new work in development MAJOR, a dance theater project exploring the physicality, history, sociopolitics, and interiority of majorette dance, a form that originated in the American South within Historically Black Colleges and Universities in the 1960s. These Black femme teams accompanied by marching bands created a movement style that requires master showmanship with allegiance to count, undulation, groove, and sensual yet strong performativity. In MAJOR, six Black femmes embrace majorette form - a fundamental relic of Black girlhood - to pursue the intimate journey of returning to bodies they thought lost. Experiments in improvised and verbatim language intertwine with a music score that integrates Southern rap, horns, drumlines, and melodic R&B and soul by Lambkin. The Chord Archive is showcased alongside performances, a physical and digital documentation of the creative process and personal historical accounts from former majorette dancers. A fierce investigation of physical memory, sexuality, sensuality, and community, MAJOR is a nuanced love letter to the folks who taught the team how to be proudly Black and proudly femme.
The technical Residency will culminate in an OPEN LAB workshop in which Ude, Dance Captain Selah Hampton, and Archivist Myssi Robinson will teach majorette technique and choreography, and introduce participants to The Chord Archive and its methodologies, on December 20, 2025. Tickets and more information here.
ABOUT THE ARTIST
Ogemdi Ude is a dance and interdisciplinary artist, educator, and doula based in Brooklyn. Her performance work focuses on Black femme legacies and futures, grief, and memory. Her work has been presented at Kampnagel, The Kitchen, Gibney, Harlem Stage, Danspace Project, Abrons Arts Center, BRIC, ISSUE Project Room, Recess Art, Brooklyn Arts Exchange, Center for Performance Research, and for BAM's DanceAfrica festival. She is a 2025 NYSCA/NYFA Artist Fellow in Choreography, 2025 Princess Grace Honoraria in Choreography, 2025-2028 Jerome Hill Artist Fellow, 2024 NEFA National Dance Project Production Grant recipient, and a Live Feed Residency Artist at New York Live Arts. She has been a 2024/2025 BAX Artist-in-Residence, 2024-2025 Leslie Lohman Artist Fellow, 2022-2024 Movement Research Artist-in-Residence, 2021 danceWEB Scholar, 2021 Laundromat Project Create Change Artist-in-Residence, and a 2019-2020 Center for Ballet and the Arts at NYU Resident Fellow. In January 2022 she appeared on the cover of Dance Magazine for their annual “25 to Watch” issue. Most recently, she has published a book Watch Me in a collection edited by Thomas DeFrantz and Annie-B Parson: Dance History(s): Imagination as a Form of Study published by Dancing Foxes Press and Wesleyan University Press.